By giving him time to mull things over and by not pressuring him, Margaret succeeds in putting the wedding back on track; Signor Naccarelli says he will meet them at the church the following morning. The two are instantly smitten. One duet, "Let's Walk", is an unqualified hit, but the rest, without fully cohering, is also arresting. Enter your search keyword. Shop by category. The Light in the Piazza. Son perduto! The musical was directed by Bartlett Sher, choreographed by Jonathan Butterell, with lighting by Christopher Akerlind, set by Michael Yeargan and costumes by Catherine Zuber. The accompanying booklet contains lyrics (although a few are missing for Track 9, "Hysteria") and short notes about the musical. Shattered, Clara slips out of the hotel room and runs once more through Florence ("Interlude"), meeting Fabrizio at the church in order to tell him that she cannot marry him; she won't allow herself to cause him any pain. Directed by Guy Green. Giuseppe's wife, Franca, takes Clara on a tour of the apartment, and alone in a separate room, she warns Clara about how quickly love can stale in marriage ("The Joy You Feel"). Adam Guettel *1964 US album by: Victoria Clark voc, *1959 US album by: Kelli O'Hara voc, album by: Album Tracks . Listen on Apple Music. The way the music complements the story, perfectly capturing the tone of the original novel and the emotion of the characters, is closer to opera than to musical theater. Oh, che guaio Che cosa ho fatto O signore salvami Dov'era la mia testa L'ho perduta, la mi'amor Giuseppe: Aiutami! Relieved that he has not discovered their secret, Margaret begs him to change his mind, but he will not. "[22] Michael Feingold, in his review for the Village Voice, commented: "It has some considerable shortcomings...but its main distinction is that its humanity separates it from the bulk of current musical theater. On her way to meet Fabrizio, Clara becomes lost in the maze-like streets of Florence. At the Duomo, Fabrizio once again catches up with Margaret and Clara, and this time Fabrizio's father, Signor Naccarelli, is able to help penetrate Margaret's resistance to any further involvement. The Light in the Piazza, music and lyrics by Adam Guettel, is unlike any of its Broadway musical contemporaries.The way the music complements the story, perfectly capturing the tone of the original novel and the emotion of the characters, is closer to opera than to musical theater. In the early morning of their first day in Florence, Margaret reads from her guidebook to Clara as the piazza around them is waking up and coming to life ("Statues and Stories"). [4], In the summer of 2008, Guettel reconfigured the musical as a smaller chamber piece for the Weston Playhouse Theatre Company in Vermont, where Sarah Uriarte Berry reprised her role as Franca. THE LIGHT IN THE PIAZZA. Clara wants to know what is wrong with her, but her mother says there is nothing at all wrong. Soundtrack Lyrics > L > Light In The Piazza Overture Statues And Stories The Beauty Is Il Mondo Era Vuoto American Dancing Passeggiata The Joy You Feel Dividing Day Hysteria Say It Somehow Aiutami The Light In The Piazza Octet The Beauty Is (Reprise) Let's Walk Clara's Interlude Love To Me Fable. While she is away, Fabrizio comes to the room, distraught; he cannot find the right words to express his feelings, and Clara urges him to use any other means; Clara accepts Fabrizio's proposal of marriage, and the two are embracing, half undressed, as Margaret walks in on them ("Say It Somehow"). the show closed on October 13. Sheet music arranged for Piano/Vocal in C Major (transposable). The actors in this original cast recording are excellent, never straining to reach the music's more operatic heights. The light, The light in the Piazza. It starred Jill Gardner as Margaret and Sarah Jane McMahon as Clara, directed by Dorothy Danner and conducted by James Allbritten. I don't care! He concluded, "'Piazza' is still very much alive and, in this staging, as vital as ever. Margaret tries to reason with Signor Naccarelli, who saw Clara's childlike handwriting as she completed her marriage form. Ted Sperling and Guettel's jaunty orchestrations add to the slightly disorienting but wholly fascinating harmonies and instrumentation. It is a love story. The classic sound of Broadway is back in THE LIGHT IN THE PIAZZA, Craig Lucas and Adam Guettel's sparkling musical version of Elizabeth Spencer's novel. Big thanks to our Patrons — David, SD, Elizabeth, Terri, Lucas, Ian, Jeremy, Jenna, Convery Studios, and Brooke Details about LIGHT in the PIAZZA musical CD soundtrack BROADWAY recording Adam Guettel. Tiny, sweet... And then it grows And then it FILLS the air! Soundtrack listing. There are no snappy production numbers, no attempts to mimic jazz or disco. It received rave reviews from both local and national critics with BroadwayWorld hailing the overall production and Josh Grosso in the role of Fabrizio. The Lethbridge Symphony Orchestra in Alberta presented the musical at the Genevieve E. Yates Memorial Centre October 19–21, 2009, which was the Canadian première. The Light in the Piazza doesn't fit the model of most Broadway scores, with a splashy opener here, a swing number there, then the big ballad. She mustn't be made to accept less from life just because she isn't like you or me." Harrington's performance won the Jeff Award for Best Actress. No matter what Margaret tries, her daughter refuses to give her an inch, culminating in a painful confrontation wherein Margaret slaps Clara across the face. Skip to main content. Guettel's music is flowing and luxuriant, but it and his lyrics, based on the book by Craig Lucas, are true to Elizabeth Spencer's way of storytelling: almost matter-of-fact, but far from cold and never taking advantage of sentimentality. Song lyrics to Broadway show. THE LIGHT IN THE PIAZZA. The score breaks from the 21st century tradition of pop music on Broadway by moving into the territory of Neoromantic classical music and opera, with unexpected harmonic shifts and extended melodic structures, and is more heavily orchestrated than most Broadway scores. Each song tells a small, compact story--and beautifully so. Fabrizio assuages all of her fears ("Love to Me"). This is not about song and dance. Aiutami! Margaret says, "Just because she isn't normal, Roy, doesn't mean she's consigned to a life of loneliness. Alone, Fabrizio sings in Italian his declaration of love at first sight for Clara, along with a heartfelt cry of fear that she could never love anyone as lost and without position as he ("Il Mondo Era Vuoto"). The two spend a summer together in Italy. It starred Kaho Shimada as Margaret Johnson. Margaret and Clara are invited to have tea at the Naccarelli home. [6], The first Los Angeles area local premiere was seen at the Covina Center for the Performing Arts in 2009. The Light in the Piazza is a 1960 novella by writer Elizabeth Spencer.. At its core are Margaret Johnson and her daughter Clara, who are on vacation in Italy, where Clara becomes enamored of local Florentine Fabrizio. A breeze carries Clara's hat off her head and across the square where a young Italian man, Fabrizio, catches it, mid-air, and returns it to her. LIGHT in the PIAZZA musical CD soundtrack BROADWAY recording Adam Guettel. The cast featured Victoria Clark, Kelli O'Hara, Matthew Morrison, Michael Berresse and Sarah Uriarte Berry. [8] Directed by Fran Rude and musical direction by Ken Rogers this production starred Diane Llewelyn-Jones as Margaret, Nicole Higginson as Clara and Steven Morton as Fabrizio. On April 4, 2016, the entire original Broadway cast reunited for a benefit concert version of the musical at the Vivian Beaumont Theater, where it originally played. Clara erupts with a torrent of feeling, centered on Fabrizio and the nature of love ("The Light in the Piazza"). Fabrizio begs his father and his brother Giuseppe to help him dress more presentably for Clara. Fabrizio: Clara! Musical’s success is easily explained by the fact that the audience missed the tragic stories of unrequited love. [25], In reviewing the revival starring Renee Fleming in 2019, Chris Jones said the show employed, "the most soul-satisfying score written for Broadway so far this century." 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